As we walked the dirt road in the rain, felt soles beneath wading boots hushed our steps. We remarked about all the worms lying about on the road, joking about all the flies fly fisherman tried to force feed to trout. Someone said it and we all laughed. “Trout like worms. They like worms you know.” I laughed and we carried on comically about it, but I was thinking of something else in my mind.
Out of the back seat I grabbed my gear. A fly rod tube, a fly box, a dry bag with a change of clothes and my lunch. I walked to the passenger side of the truck. I got in the front seat and looked over to see Mike holding out a pillow case. “Put this over your head.” It was at that moment that I realized there were two scenarios that could play out from this point. One, Mike was a fisherman serial killer who used the hopes and dreams of huge trout to lure his prey to their deaths. Or two, this was the first time I’d ever had someone tell me they had a secret spot with huge trout in it that was actually true.
Standing on the bridge, looking down at the tannin stained water coursing through the white terrain, I couldn’t help but think it was a sight something like this that brought the necessity for the word contrast in the human language.
There’s a lot to be said about a cabin with nothing in the middle of nowhere. The drive in on an old two track, splashing through mud holes and puddles is only the beginning. There’s no pavement to make the ride smooth. No white lines to stay between and no yellow lines to keep you on your side. It’s up to you to pay attention, to pick your safe speed. To avoid the rocks pushing up from below and the deep mud holes that threaten to hide bad situations in beautiful places. The trees are what keep you on the road, not paint. The road in ironically is actually your way out.